(Images: site of Ral Veroni and Case Printed gallery.) Celebrating Independence Day, this afternoon after 19 hours of the exhibition was inaugurated Argentina's artist Ral Veroni in Case Gallery (Peru 1064).
This series began in December 2001 following the political and economic instability in the country. By then, Veroni lived in Scotland and continued to distance the issues that faced Argentina.
"By creating this series Ral Veroni resorted to the emblems of his previous works (such as Frames and mandalas), but on a blue background and white and in the form of rosettes or flags, distributes items to create messages defined by the titles of the Work: In My Force is my Hope, Mandala of Injustice, or Trama of Existence, among others, "explained on the site of the artist.
"The goal is to offer a symbolic space where not only hope to represent the date that created the series, but also others that formed our Argentine, as the year'89,'89-'99 period, the'83, the'82, The'76, the'75 or'73, "said the author of Culture BA-mix with regard to the idea of the sample.
In relation to the printing and opinion generated on those who are special to the event or have a chance to see these art pieces, the artist said: "In general we want to cause surprise, admiration, provocation, I wish. The reflections are likely to have on your property and I do not want to cause them with mine. "
These works surprise and give rise to reflection by the context in which they were created. They are a different way of seeing things happen touch and up to the Argentines.
The exhibition, which will be presented eight of his works, runs until the 9th of next month.
Argentina, by Ral Veroni. Since Wednesday, July 9 to 19 to Aug. 9 at Case Gallery (Peru 1064). Hours: Tuesdays through Sundays from 13 to 21.
Links:
Information on the series Argentina, in Indeprint
Blog Case Gallery
Printed bookstore Case
Mandala Suenio image of Ral Veroni. Serie Argentina.
Raster image of the Existence of Ral Veroni. Serie Argentina.
Photo of the Argentine artist Ral Veroni. By Luis Martin.
